For Beginning Playwrights and Seasoned Pros who want to learn a better way to write a play!

For more information and to BOOK IT!
Two actors on stage performing a scene from a play titled "POWERHOUSE" by David Harms. In the background, a "Playbill" cover for the show is displayed, featuring an illustration of a woman in a dramatic pose with a cityscape, card, and moon. The setting appears to be an indoor stage with city buildings visible through windows.

Jennifer Pierro and Laura Shoop

DARRYL REILLY OF THEATRESCENE.ORG

“Wiry and jittery Jennifer Pierro has several hilarious bits as the scheming company psychologist.”

“Director Ken Wolf’s sharp staging realizes the play’s comedic and dramatic momentum through zesty straightforwardness, visual élan and his cast’s strong performances.”

“With its five characters and one set, Powerhouse is in the tradtion of well-made plays.”

READ DARRYL REILLY'S FULL REVIEW OF POWERHOUSE
A woman in a red floral blouse and black pants sitting on a stage next to an empty chair, with a cityscape backdrop behind her.

Jennifer Pierro

“The best acting accolade goes to Jennifer Pierro as the HR psychologist second banana.” -Mari S. Gold, T and B On The Aisle

Two women standing indoors near large windows with a cityscape view at night, one in a maroon outfit and the other in a plaid suit.

Jennifer Pierro and Laura Shoop

RAWSHOCK by Rita Lewis is on THEATERSCENE.ORG’s

A 2024 10 Best List

by Darryl Reilly

(shared with Off-Broadway and Broadway Plays)

READ DARRYL REILLY'S “A 2024 10 BEST LIST!”
A promotional poster for 'Rawshock' by Rita Lewis, presented by Manhattan Repertory Theatre. The poster features an inkblot design in the center with the title in bold letters. In the background, five people are seated with their backs facing the viewer against a vibrant pink and red backdrop. The tagline reads, 'What happens to the Group when the system fails?"

Since 2017, we have produced over 80 plays with playwrights, actors, and producers from around the world. Each project begins with an idea on the page and grows into a fully realized production on stage.

We are now accepting full-length plays and musicals (60 to 150 minutes) for production through 2026. Whether your goal is an Off-Broadway run, or a fully staged premiere, we can help you bring your work to life in New York City.

Production costs for a full-length play typically range from $25,000 to $200,000 and beyond, depending on the scope of your production, scenic and technical elements, cast size, and number of performances. We work with both Equity and Non-Union projects.

This program is for playwrights and producers who are serious about building a professional production in New York, or anywhere in the world—with the guidance and experience of Manhattan Rep’s team.

Your script deserves more than a reading. It deserves a stage, an audience, and a full production that brings your vision to life.

If you are serious about self-producing your play in New York City, or anywhere in the world, click on the button below!

Learn more!

THE REVIEWS ARE IN!

Theater poster for "Rawshock" by Rita Lewis, presented by Manhattan Repertory Theatre. Features a Rorschach inkblot image and silhouettes of people sitting on chairs against a pink background. Includes cast and crew details and ticket information.

DARRYL REILLY OF THEATERSCENE. ORG:

“exquisite command of dramatic writing”

“exhilarating physical staging”

“Dressed all in black with flowing black hair, the thin, animated and alluring Jennifer Pierro is haunting as a disturbed artist off her meds; she is riveting enacting several harrowing breakdowns.”

Chelsea Clark conveys tremendous pathos as a troubled young woman on the verge of a new start in life!”

“The authoritative, yet approachable Camber Carpenter is serene as the heroic therapist.”

Nathan Cusson is ferocious as a combative hothead patient.”

Christian Libonati beautifully combines intensity and weariness as a forlorn substance addicted male prostitute.”

“Each actor offers and sustains fearless characterizations”

"Rawshock intelligently explores its painful subject matter through blazing theatricality."

READ THEATERSCENE.ORG'S FULL REVIEW

DEB MILLER OF DCTHEATERARTS. ORG:

“Rawshock is an important example of theater in the service of society”

"explosive segments of psychological and emotional breakdowns"

READ DCTHEATERARTS.ORG FULL REVIEW

SCOTTY BENNETT OF THEATERSCENE. NET PROCLAIMED:

“It is beautifully written by Rita Lewis and superbly directed by Ken Wolf.”

"The ensemble that plays the patients is outstanding. They fully embody their characters and give several emotionally compelling performances."

"Jennifer Pierro is so in tune with the character that watching her feels like eavesdropping on a real patient."

"Chelsea Clark gives a beautifully integrated performance of Tina, fully realizing the moments of anxiety and calm."

"Nathan Cusson is solid in his characterization of Alex, a young man who is an outpatient and has an explosive temper."

"Theresa Della Valle's performance adds to the powerhouse that this ensemble represents. She is totally believable as the grandmotherly member of the group. From the moment she enters the stage and speaks her first lines, there is no doubt that it is not an actor playing a role but a real person."

"Christian Libonati gives an emotionally powerful, heart-breaking tour de force performance, the impact of which is not fully realized until the end of the play."

READ SCOTTY BENNETT'S FULL REVIEW
A group of six people sitting in a row on chairs, likely on stage. They appear to be participating in a discussion or therapy session. The setting is simple, with a plain backdrop, and some individuals wear casual attire while others wear medical scrubs.

Jennifer Pierro, Chelsea Clark, Nathan Cusson, Theresa Della Valle, Christian Libonati, and Camber Carpenter in Rawshock by Rita Lewis

Group of actors perform a dramatic scene on stage with a backdrop of curtains. One actor kneels while others stand around, showing concern.

Christian Libonati, Jennifer Pierro, Camber Carpenter, Nathan Cusson, Theresa Della Valle, and Chelsea Clark

Group of people on stage during a dramatic performance, one wearing red headphones, with others in expressive poses.

Jennifer Pierro, Christian Libonati, Nathan Cusson, and Theresa Della Valle

Two women engaged in conversation, one wearing a Beatles t-shirt and headphones around her neck, standing by a desk, and the other wearing a cream knit beanie and beige hoodie, arms crossed.

Jennifer Pierro and Chelsea Clark

Produce a small workshop production of your play in NYC, developed and presented by Manhattan Rep.

The Play Production Workshop is for playwrights ready to step from the page to the stage.

This program is designed as an affordable, lower-end production path, stripped of unnecessary expense but rich in the essentials of great theatre.

No elaborate sets. Just the heartbeat of live performance: talented actors, lights, sound, and the play you’ve crafted brought to life.

For more information about this program, click on the button below:

Learn more!

FREE GIVEAWAY

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Let’s Transform the Playwriting World!

And now for something Transformational!

Write your Own One Actor Show! Start Today!

JOIN OUR ARTIST WORK DATABASE

We are always seeking production staff: Actors, Directors, Design Team, Technicians and House Staff, so we are building an Artist Work Database to use for the various productions we build. Click on the button below. Fill out the form or forms which work for what you do, and we will reach out first to this database when building a Production Team.

Join our Artist Work Database

BRING YOUR BEST PLAY TO LIFE IN NYC IN A PROFESSIONAL READING!

Every playwright dreams of that moment, when the words on the page lift into air, when characters breathe, when their story lives in real time.

At Manhattan Repertory Theatre, we make that dream come true.

This is not a cold read.

This is not a table reading over Zoom.

This is a live professional rehearsal process, culminating in a powerful reading presentation of your play before an audience right in the heart of New York City.

Learn more!

We don’t stop playing because we grow old; we grow old because we stop playing.”

- George Bernard Shaw -